Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Neumann, Frederick: Problems of Interpretation in the Music of Bach: I. The Pitfalls of Historical Sources. AmerMTeacher 12/5 (May-Jun 1963), 20-21. | |
| 2. | Neumann, Frederick: Problems of Interpretation in the Music of Bach, Part II. AmerMTeacher 13/2 (Nov-Dec 1963) | |
| 3. | Neumann, Frederick: Misconceptions about the French Trill in the 17th and 18th Centuries. MQ 50/2 (Apr 1964), 188-206. | |
| 4. | Neumann, Frederick: The French 'Inégeles', Quantz, and Bach. JAMSoc 18/3 (Autumn 1965), 313-358. | |
| 5. | Neumann, Frederick: A New Look at Bach's Ornamentation. MLetters 46/1, 2 (Jan; Apr 1965), 4-15; 126-133. | |
| 6. | Neumann, Frederick: La note pointée et la soi-disant 'manière française'. RevueMcol 51/ 1 (1965), 66-92. | |
| 7. | Neumann, Frederick: External Evidence and Uneven Notes. MQ 52/4 (Oct 1966), 448-464. | |
| 8. | Neumann, Frederick: The Use of Baroque Treatises on Musical Performance. MLetters 48/4 (Oct 1967), 315-324. | |
| 9. | Neumann, Frederick: Notes on 'Melodic' and 'Harmonic' Ornaments. MReview 29/4 (1968), 249-256. | |
| 10. | Neumann, Frederick: Couperin and the Downbeat Doctrine for Appoggiaturas. ActaMcol 41/1-2 (Jan-Jun 1969), 71-85. | |
| 11. | Neumann, Frederick: Ornament and Structure. MQ 56/2 (Apr 1970), 153-161. | |
| 12. | Neumann, Frederick: The Question of Rhythm in the Two Versions of Bach's French Ouverture, BWV 831. [fs]Mendel (1974), 183-194. | |
| 13. | Neumann, Frederick: The dotted note and the so-called French style. EarlyM 5/3 (Jul 1977), 310-324. Translated from the French by Raymond Harris and Edmund Shay. [= RevueMcol LI (1965)] | |
| 14. | Neumann, Frederick: Facts and Fiction about Overdotting. MQ 63/2 (Apr 1977), 155-185. | |
| 15. | Neumann, Frederick: Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. Princeton, New Jerey: Princeton University Press 1978. 1983. xiv, 630p. | |
| 16. | Neumann, Frederick: Once more: the 'French overture style'. EarlyM 7/1 (Jan 1979), 39-43, 45. [BWV 1066] | |
| 17. | Neumann, Frederick: The Overdotting Syndrome: Anatomy of a Delusion. MQ 67/3 (Jul 1981), 305-347. | |
| 18. | Neumann, Frederick: Notes on Bach and Handel Sonatas. AmerStringTeacher 32/3 (Summer 1982), 26-27. Chamber Music Forum. | |
| 19. | Neumann, Frederick: The Use of Baroque Treatises on Musical Performance. StudMcol 58 (1982), 1-9, 173-174. | |
| 20. | Neumann, Frederick: Donington's 'A Performer's Guide to Baroque Music' -- A Review. StudMcol 58 (1982), 11-15, 274. | |
| 21. | Neumann, Frederick: The French 'Inégales', Quantz, and Bach. StudMcol 58 (1982), 17-54, 274-285. | |
| 22. | Neumann, Frederick: An Answer to Donington's Critique. StudMcol 58 (1982), 55-58. | |
| 23. | Neumann, Frederick: External Evidence and Uneven Notes. StudMcol 58 (1982), 59-72, 285-288. | |
| 24. | Neumann, Frederick: The Dotted Note and the So-Called French Style (FN1) StudMcol 58 (1982), 73-98, 288-289. | |
| 25. | Neumann, Frederick: Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2). StudMcol 58 (1982), 99-110, 289-291. | |
| 26. | Neumann, Frederick: Facts and Fiction about Overdotting (FN3). StudMcol 58 (1982), 111-135, 291-294. | |
| 27. | Neumann, Frederick: Once More: The 'French Overture Style' (FN4). StudMcol 58 (1982), 137-150, 295. | |
| 28. | Neumann, Frederick: The Overdotting Syndrome: Anatomy of a Delusion (FN5). StudMcol 58 (1982), 151-182, 296-300. | |
| 29. | Neumann, Frederick: Misconceptions About the French Trill in the 17th and 18th Centuries. StudMcol 58 (1982), 183-196, 300-304. | |
| 30. | Neumann, Frederick: A New Look at Bach's Ornamentation. StudMcol 58 (1982), 197-215, 304-305. | |
| 31. | Neumann, Frederick: Notes on 'Melodic' and 'Harmonic' Ornaments. StudMcol 58 (1982), 217-225, 305-306. | |
| 32. | Neumann, Frederick: Couperin and the Downbeat Doctrine for Appoggiaturas. StudMcol 58 (1982), 227-241, 306-309. | |
| 33. | Neumann, Frederick: Ornament and Structure. StudMcol 58 (1982), 243-250, 309-310. | |
| 34. | Neumann, Frederick: Essays in Performance Practice. Ann Arbor: UMI Research Press; Epping: Bowker, 1982. xii, 321p. ISBN: 0835715108. (= Studies in Musicology, 58) [contents] | |
| 35. | Neumann, Frederick: Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. MQ 71/3 (1985), 281-294. | |
| 36. | Neumann, Frederick: The Rhythm in 'Behold the Lamb of God'. AmerChoralReview 28/4 (Oct 1986), 18-22. | |
| 37. | Neumann, Frederick: Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. PerformPractReview 1/1 (Spring-Fall 1988), 71-106. A Scholar's Response to Two Critics. | |
| 38. | Neumann, Frederick: Some Controversial Aspects of the Authenticity School. StudMcol 108 (1989), 17-31. | |
| 39. | Neumann, Frederick: The Rise of the Early Music Movement. StudMcol 108 (1989), 3-16. Scholarly Interest; Sacred Music; Secular Songs and Dances; The Changing Attitude towards Old Music; The Striving for 'Authenticity' | |
| 40. | Neumann, Frederick: Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. StudMcol 108 (1989), 35-64. | |
| 41. | Neumann, Frederick: The 'Notes Inégales' Revisited. StudMcol 108 (1989), 65-76. | |
| 42. | Neumann, Frederick: Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. StudMcol 108 (1989), 77-84. | |
| 43. | Neumann, Frederick: Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. StudMcol 108 (1989), 121-153. | |
| 44. | Neumann, Frederick: Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. StudMcol 108 (1989), 195-208. | |
| 45. | Neumann, Frederick: Notes on the Violin Sonatas of Bach and Handel. StudMcol 108 (1989), 221-225. | |
| 46. | Neumann, Frederick: New Essays on Performance Practice. Ann Arbor: UMI Research Press, 1989. x, 257p. ISBN: 0-8357-1951-0. (= Studies in musicology, 108); Rochester, NY: University of Rochester Press, 1992. x, 257p. ISBN: 1878822128; 1878822136. [contents] | |
| 47. | Neumann, Frederick: Tadashii Soshokuon Soho. [Translation of 'Essays in performance practice'] Trans. by Akiko Tamemoto. Tokyo: Ongaku no Tomo sha, 1992. 414p. ISBN: 4276131154. | |
| 48. | Neumann, Frederick: Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. FestschriftSer 13 (1994), 19-46. | |
| 49. | Neumann, Frederick: Notes Inégales for Bach, Overdotting for Everybody? A Commentary on an Attempt to Revive Dolmetsch's 'Rhythmic Alterations'. HistPerformance 7/1 (1994), 13-26. | |
| 50. | Neumann, Frederick: Una nueva aproximación a la ornamentación de Bach. Quodlibet 2; 3 (1995), 19-33; 19-28. [A new approach to Bach's ornamentation] Trans. by Gago, Luis Carlos. [original in MLetters xlvi/1 (1965)] | |
| 51. | Neumann, Frederick: Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. [ce]BaroqueComposers (2011), 445-458. Repr. from Musical Quarterly, lxxi/3 (1985), pp. 281-294. | |
| 52. | Neumann, Frederick: Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. [ce]BaroqueComposers (2011), 529-558. Repr. from Mary Ann Parker (ed.), Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, Stuyvesant: Pendragon Press (1994), pp. 19-46. | |